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	<title>Resititution in practice - Revision history</title>
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	<updated>2026-05-06T18:34:28Z</updated>
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	<entry>
		<id>https://ooqa.vanabbemuseum.nl/w/index.php?title=Resititution_in_practice&amp;diff=34&amp;oldid=prev</id>
		<title>Michelle: Resitution in practice project proposal</title>
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		<updated>2024-09-29T15:14:47Z</updated>

		<summary type="html">&lt;p&gt;Resitution in practice project proposal&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;Our incomplete baby; &amp;quot;Resitution in Practice&amp;quot; was a project that found us in a low energy, dispersed moment. All in different places, doing different business and still shaking off the covid times. We drove this project with two members, which was in the end a very sweet time of care, sharing and intellectual simulation. &lt;br /&gt;
&lt;br /&gt;
== &amp;#039;&amp;#039;&amp;#039;Working Concept&amp;#039;&amp;#039;&amp;#039; ==&lt;br /&gt;
&lt;br /&gt;
=== &amp;#039;&amp;#039;&amp;#039;Title:&amp;#039;&amp;#039;&amp;#039; Starting from Where We Are: Restitution in Practice ===&lt;br /&gt;
&lt;br /&gt;
=== &amp;#039;&amp;#039;&amp;#039;Abstract:&amp;#039;&amp;#039;&amp;#039; ===&lt;br /&gt;
We propose a series of public events in the fall which investigate&lt;br /&gt;
&lt;br /&gt;
questions of ethics and restitution in the museum’s collections as a jumping-off point&lt;br /&gt;
&lt;br /&gt;
to wider questions about restitution and positionality.&lt;br /&gt;
&lt;br /&gt;
=== &amp;#039;&amp;#039;&amp;#039;Methodology (ie philosophical lens, guiding theory):&amp;#039;&amp;#039;&amp;#039; ===&lt;br /&gt;
Decoloniality. Rather than approach this year’s activities from a solely-queer perspective, &lt;br /&gt;
&lt;br /&gt;
we want to broaden our thinking to embody a more intersectional social theory, &lt;br /&gt;
&lt;br /&gt;
which would – of course – encompass queerness. This approach also guides how&lt;br /&gt;
&lt;br /&gt;
we consider other means of sharing information.&lt;br /&gt;
&lt;br /&gt;
=== &amp;#039;&amp;#039;&amp;#039;Methods (ie framework of activity, approach):&amp;#039;&amp;#039;&amp;#039; ===&lt;br /&gt;
Artistic Research. The Office of Queer Affairs will collect documentation for each event, &lt;br /&gt;
&lt;br /&gt;
then collectively select &amp;amp; shape that documentation into a creative response in&lt;br /&gt;
&lt;br /&gt;
the form of a zine to be printed by the Gemeente. Documentation methods will depend &lt;br /&gt;
&lt;br /&gt;
on the contours of each event (a talk vs. an hour of movement, for example) and &lt;br /&gt;
&lt;br /&gt;
we’ll be generating these methods alongside inviting guests. The activities will be geared &lt;br /&gt;
&lt;br /&gt;
towards generating creative responses to the material with participants, which &lt;br /&gt;
&lt;br /&gt;
can be documented. This depends also on the different approaches the participants &lt;br /&gt;
&lt;br /&gt;
want to take and has an emphasis on who will be invited.&lt;br /&gt;
&lt;br /&gt;
=== &amp;#039;&amp;#039;&amp;#039;Research Questions:&amp;#039;&amp;#039;&amp;#039; ===&lt;br /&gt;
These questions are meant to help the invitees plan their&lt;br /&gt;
&lt;br /&gt;
events and are not meant to be all answered by a single guest/even nor exhaustive&lt;br /&gt;
&lt;br /&gt;
of all possible questions in this vein: What does discussion and&lt;br /&gt;
&lt;br /&gt;
experiment/experience around decoloniality teach us about restitution, or healing&lt;br /&gt;
&lt;br /&gt;
more generally, in practice? In what ways can thinking/doing about decoloniality&lt;br /&gt;
&lt;br /&gt;
deconstruct and reconstruct an activity/practice? How can museums and curation&lt;br /&gt;
&lt;br /&gt;
help us understand restitution in our everyday lives? What does restitution look like&lt;br /&gt;
&lt;br /&gt;
as an ongoing practice? How does restitution look different in practice depending on&lt;br /&gt;
&lt;br /&gt;
a person’s (or institution’s) positionality?&lt;br /&gt;
&lt;br /&gt;
=== &amp;#039;&amp;#039;&amp;#039;Background:&amp;#039;&amp;#039;&amp;#039; ===&lt;br /&gt;
Last year the Office of Queer Affairs worked closely with the&lt;br /&gt;
&lt;br /&gt;
museum’s collection to develop a Love Letters Tour for the new collection&lt;br /&gt;
&lt;br /&gt;
presentation. Inspired by this work with the museum’s collection and working with the&lt;br /&gt;
&lt;br /&gt;
context of the museum in mind, this year we propose to hold three public events&lt;br /&gt;
&lt;br /&gt;
which connect the museum’s ongoing work with decoloniality with broader questions&lt;br /&gt;
&lt;br /&gt;
of repair and restitution.&lt;br /&gt;
&lt;br /&gt;
=== &amp;#039;&amp;#039;&amp;#039;Description:&amp;#039;&amp;#039;&amp;#039; ===&lt;br /&gt;
We imagine a set of three stand-alone events, each approaching the&lt;br /&gt;
&lt;br /&gt;
research questions from the guests’ positionality and from within that person’s artistic&lt;br /&gt;
&lt;br /&gt;
practice. The first event would be related to museum curation and questions about&lt;br /&gt;
&lt;br /&gt;
restitution which situate the conversation within the space we’ve been given at Van&lt;br /&gt;
&lt;br /&gt;
Abbe. For the two following events, we intend to invite people whose creative&lt;br /&gt;
&lt;br /&gt;
practices may not immediately be associated with a contemporary art museum, for&lt;br /&gt;
&lt;br /&gt;
example, individuals or collectives who practice braiding hair, or applying henna, or&lt;br /&gt;
&lt;br /&gt;
singing. For each event we’ll gather documentation specific to that activity or talk,&lt;br /&gt;
&lt;br /&gt;
then once all the events are over, we’ll analyze and collate and design the materials&lt;br /&gt;
&lt;br /&gt;
into a publication and send it to the Gemeente for printing.&lt;/div&gt;</summary>
		<author><name>Michelle</name></author>
	</entry>
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